The musings of A.V. Phibes

I'm watching you, culture, and I don't approve.

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If Twilight the Book was WTF, Twilight the movie was FTW
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[info]avphibes
Okay, so I went to see "Twilight" the movie the other night and my humble opinion is that it schooled the fuck out of the book. I'm not saying it's a great movie - there were definitely some scenes that were a cheese casserole - but I liked it. I wheedled one of my friends into going to see it with me, with her threatening to make me refund her ticket price if it sucked too bad, but (maybe because her expectations were set so low) she actually liked it. Also, Robert Pattinson's portrayal of Edward made me love him as an actor, but I'll get to that later.

There are four reasons I thought a movie of Twilight would be better than the book and all of them proved to be true:

1: The time constraints on a movie would cut out all the repetitious, rambling, empty filler in the book and get straight to the meat of the story.

2: A picture is worth a thousand words and since a thousand of Stephanie Meyers' words were "glare," "gorgeous," "perfect" and "chagrin," I figured the story could only be vastly improved by showing instead of telling.

3: Since Meyers' idea of character development doesn't seem to go beyond describing what people's hair looks like, I thought actors would be able to give the characters a little more substance to grab onto.

4. A movie would get the story out of Bella's first-person narrative so we could watch the story without it being filtered through an impenetrable veil of "OMG EDWARD IS TEH HOTT!!!1!"

See, I started out reading Twilight genuinely wanting to like it. I wanted to go on a fantasy adventure and fall in love with Edward Cullen and make him mix tapes and gay out on some vampire high-jinks, but I felt like I was thwarted at every turn. Every time a new character or intriguing question or potentially interesting conflict was introduced, it was never really followed through or fleshed out or given any interesting insight. As a reader, I felt constantly blueballed (and not just because there was no sex.) Never has a book made me so badly want to write fanfic, if only because I wanted to fix everything wrong with it.

I got the feeling that the filmmakers felt the same way, because everything that the movie changed from the book made the story better. New York Magazine did a whole slideshow thing on why the movie is better than the book, which I mostly agree with. Everything in the movie that was funny on purpose? It wasn't in the book. You have the screenwriter to thank.

I was optimistic about Catherine Hardwicke as director because I thought Thirteen was a compelling and believable movie about teenagers, so I thought she could take the one-dimensional Twilight characters and real 'em up a little. I think she did the best job she could. Bella's high school friends were all much more fun in the movie than the book and Bella seemed realer and smarter.

Mostly, though, I left the theater loving Robert Pattinson TO THE MAX for what he did to Edward. While the book relentlessly emphasizes how suave and gorgeous and perfect and dazzling Edward is, Robert Pattinson plays him as kind of an awkward, twitchy weirdo who's borderline psychotic and occasionally a whiny little bitch. What this tells me about Pattinson, as an actor, is that he really put some thought into the character. I mean, Stephanie Meyer was trying to make him this ultimate romanceturbation hero who she keeps trying to tell us is nonstop dreamy 24/7, but (as many have pointed out) a lot of the stuff he does in the book is kinda creepy, stalkerish, self-loathing, condescending, crazy-mood-swingy and borderline abusive. On top of that, he's a guy who's been 17 for 100 years and never had a girlfriend... and then he starts liking a girl who he is fighting a primal urge to kill every time he's around her. Honestly, that guy would not be suave. That guy would be an awkward, twitchy weirdo who's borderline psychotic and occasionally a whiny little bitch. It's like Robert Pattinson "got" the character more than it's own creator did.

This performance helps the story somewhat by reminding the audience that there actually IS a conflict in the Bella/Edward relationship: That Bella is attracted to Edward even though she really shouldn't be because he is genuinely dangerous. So it makes it feel a little more like a tragic good-girl-falls-for-bad-boy romance than the book is willing to let it be because book Edward is all "yeah, I could theoretically kill you but instead I'm going to give you butterfly kisses and spoon you because I love you like whoa." and Bella's all like "you can do anything you want, no matter how creepy, because I love you and you're perfect and the possibility of you tearing me apart with your teeth and injecting me with excruciatingly painful vampire venom doesn't scare me because yr hot." The sense of danger is never really tangible.

Unfortunately, although the movie did the best it could, I still find myself not 100% buying the romance. I'm still just not quite feeling it. And, for the record, after I saw Twilight, I saw" Zack and Miri Make a Porno" which I thought WAS romantic and made me feel all mushy and want to go home and cuddle my boyfriend.

Still, if someone hasn't read Twilight the book and been like "WTF," I'm not sure they could appreciate the movie for improving on it. I'm sure all those people who actually loved the book and thought it was good will be like "boo! this movie sucks! It changed stuff and left out tons of stuff that was vitally important!" And people who have never read the book at all will be like "are you fucking kidding me? Sparkly vampires?" So maybe there is really no winning.

That's exactly what happened with "American Psycho"! The book had a ton of bullshit in it. The movie cut out all the bullshit, it was much better, and shorter.

The movie didn't necessarily cut out bullshit, I'm just not sure the B.B.F.C or the M.P.A.A. would have allowed the torture scenes to make it to film. It'd genuinely be the most violent movie there is, hahaha.

-David

I didnt mean the violence-I meant the other stuff, where he takes like 30 pages describing what suits he likes, or what stereo system he likes,or some boring party he went to, etc. There was a little bit of that in the movie, but if they put it ALL in, it wouldve been 4 hours long and really boring.

That's true, but that's an exception because even without that, there are things in the plot that gets those elements across to the fullest, it's surplus.

-David

No, that movie actually cut the BS for reasons that had nothing to do with censorship and I totally feel like Mary Paerce never gets her due. She read the book and understood intuitively that it was social parody, a modern comedy of manners. Something that neither Brett East Ellis nor his editors could do, because they're so busy believing that he's this important NYC wunderkind and his every word musrt be preserved.

Instead, she cut back on most of the noise of the violence, which really just distracts from the more important statement of zeitgeist, added the genius of Xtian Bale and honed down the writer's violence wank into something really watchable and great.

They're Ellis's characters, he has the ultimate say over who they are and what they are like. What he believes Bateman is, that's what he is. He created him, he decides who and what he is.

That said, I like the movie, it's excellent. She cut things out, but as I said, it was surplus to requirement. Including what she cut out wouldn't have defined Bale's character any more than the movie did, so I'm not too fussed.

If she cut things out that were essential to his character, then I'd have a problem, but she didn't. Hence why Bret Easton Ellis liked the movie.

-David

Actually no, only in the world of the esoteric and academic. In the film industry, when you surrender a property to another writer, you surrender original intent. Hence, all the "I liked the 'book/graphic novel/tv show so much better'." (Want to see a working example, have a lookie-loo at Less Than Zero book v. movie.)


When Jodie Foster refused to be in Hannibal because she said "Clarice wouldn't act that way.", Thomas Harris rightfully drew up a map of directions to the nearest cliff and told her to take a running jump. He created her, he decides what she would and wouldn't do.

American Psycho's movie adaptation didn't even change Bateman, really, so this is all rather irrelevant. It simply removed all the stuff that doesn't define him any more than what needed to be included. My point was regarding you feeling that you have an opinion equal to, or surpassing Ellis on his own characters.

-David

Well very few writers have any control over the adaptations. Stephen King publicly complained about most of the movies including, ironically enough, The Shining.

And the problem with adaptations is that movies and books are very different creatures and hewing too close to a book in order to make a movie is just as bad as completely throwing everything out. The Great Gatsby is a perfect example of a movie that was so faithful to the book that it might as well have been Cliff Notes. Which is also ironic because Francis Ford Coppola took major liberties with The Godfather.

Then again The Godfather is a crap book, so it's the whole crap books make good movies and vice versa.

The film is definitely subpar.

as someone who has seen the movie without reading the book

[info]chitinous

2008-12-07 08:44 pm (UTC)

Really, my expectations were incredibly low and there was no place to go but up. I was and remain unreservedly happy to donate my dollars to the lady director opening weekend fund in the hopes of better things to come.

The movie was so weak of plot and full of filler that if you think it meated up the story in the book...well..all I have to say is I have no plans to read the book now.

Re: as someone who has seen the movie without reading the book

[info]avphibes

2008-12-07 08:58 pm (UTC)

yeah, I almost feel ridiculous referring to "The Story." It was such a flimsy wisp of a thing in the book... which is why I was so appalled that she managed to write 500 pages and that's all it was.

You know I followed that link and then I followed the other links and I ended up spending four hours reading the recap of the fourth Twilight book.

The creepy pregnancy material was pretty much worth it, but I don't exactly want to have it thrown in my face just how much I don't have a real job these days.

I haven't seen the movie or read the novel, but the children at my work (I work at a youth centre) are going apeshit over this Twilight business.

I went to the bookstore and saw a mountain of boxes for the Christmas rush, and inbetween them... tucked meekly away, a Harry Potter box set.

I was saddened.

On the eve of the second movie release it was appropriate to find and read your excellent review of the first movie (and book). I sincerely hope that the movies will continue to be better than the books in exactly the way you describe.

I imagine directors of this stuff must have a tough time not crossing the line into parody, since some of the material is so ripe for parody (sparkly vampires, inexplicable behavior, ridiculous plot points). It's a thin line easily crossed by the likes of Saturday Night Live.

Your review is still the best one I've read. I look forward to your review of the second film.

I must admit, I'm a little worried about New Moon because Catherine Hardwicke isn't directing it. She was the main reason I was willing to give the first movie a chance since I knew she had done grittier teen fare.

Still, I do like the actors (I think all the cries of "bad acting" are more based on what the actors have to work with than their actual acting. All things considered I think they're doing a good job with the characters.)

You're right about the director change -- one cannot call Chris Weitz's American Pie series "gritty". Given how very non-Mormon and sex-focused those movies are, the choice is puzzling and maybe hilarious. (From a feminist perspective it's much better than an Apatow/Rogen scenario, of course.)

The writer of the screenplay seems to be well-known for her work on "The O.C." -- make of that what you will.

The jury is out on the actors. Some of them are a bit bad, but overall they're doing a great job, given what they have to work with -- I think they're actually improving the characters.

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